@FrancescoFiligoi

Francesco Filigoi

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Any other? Sorry for bombarding with so many questions :p

No, the ones I mentioned are my favourites.

So if you agree with them, should I get an Alnico V model in my custom 7 daemoness that I described in my question before that?

My preference is ceramic Blackhawk but if you're after a very warm and fluid tone, alnico would be the way

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I have an Ibanez RGD2127Z (basswood body, bolt-on 5pc maple/wenge neck, rosewood fretboard, edge zero tremolo) and I love warm sounds, I'm looking for a tight low end, amazing chord clarity, warm, fluid high end. I was told by the BKP guys that the Blackhawk (Alnico V) would be the best way to go.

I 100% agree with them!

I'm thinking about a 7 with basswood body and quilted maple top, a set-thru 3pc bubinga/wenge/maple neck, ebony fretboard, Evertune bridge, Dunlop 6105 stainless steel, BKP Blackhaws (Alnico V) 5-way Ibanez type switch, volume. What do you think it'll be like? Also could you recommend me tuners?

I'd personally go with ceramic Blackhawk bridge with basswood. I think it would rule! Sperzel locking or Gotoh 510.

You don't really like Mr.Calderone's playing do you ? :D

The playing itself is no-no, but the tunes are funny and he seems a really cool guy

I would like to start creating high quality guitar covers on youtube, what would be some good quality recording equipment to buy that is not too expensive? Interface, DAW etc.?

already answered, check on my profile somewhere below

Whats your opinion on Jeff loomis schecter signature guitar ? And what string gauge do you advise to maintain tightness while dropped 2 steps down?

I love the Loomis signature, owned one time ago. Neck is beefy but it sounds MASSIVE!

I want to become a lead guitarist. After i buy my guitar, where do i go from there?

Work your ass off and be extremely dedicated and passionate about it

How do you identify finger tone? And any tips on improving it?

Finger tone is everything. It's the first and most important part of your signal chain, and the thing that makes you sound different from every other guitarist. There is a reason why Jimi Hendrix or SRV sound the way they do, and even if their songs are not that difficult you just won't make them sound like they do.
Finger tone is basically the soul and character that the player "imprints" within each note: just think about Jeff Loomis' vibrato, Misha Mansoor's picking, Marty Friedman's bends etc. They all have a certain trademark that is easily recognizable.
It's the most important factor that separates us from machines/guitarpro/etc, and no matter how much one plays and practices, imho finger tone comes with time and playing maturity. Although there are exceptions like Matt Harnett for example.
Finger tone is mostly recognizable on bends, vibrato, slides, legatos and all the fundamental techniques that one should master PRIOR to go fast. Listen to the best guitarists and focus on "capturing" their vibratos, bends, and replicate exactly what they do.
If you want examples of crappy finger tone: Francesco Fareri, Eric Calderone, etc.

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what guitar would you choose if you only could have one guitar(any guitar in the world)?

argh option anxiety! luckily I don't have to choose haha

Opinion on sterling jp70 feel and woods ? would worth put the real dimarzios on it ?

Before trying it I honestly wasn't expecting a good guitar, but DAMN it was excellent! Superb neck/fretboard and it sounded surprisingly good and tight. It's definitely worth upgrading pickups since the guitar is quality!

Is it a fair assumption that your Koa bfr is you favorite Jp with the jp12 right behind it?

I like each JP model for various reasons, can't say I have a favourite really. JP12 and Koa sound very similar, in the end the difference is more aesthetical and it's up to the single person which one to prefer.
Although if I had to pick a favourite it would be my guitarist's JP7 PDN, the oiled roasted maple neck with pau ferro fingerboard is GLORIOUS.

What do you think about ibanez jem 7vwh and uv777?

love them both! I own a very rare UV777GR from '91 and it's fantastic

Can you explain neck radius to me and why I would choose say 20' as opposed to 14'?

It's actually fretboard radius: it's the roundness of the fretboard, how flat/round it is from edge to edge. The bigger the number, the flatter the fretboard. The flatter the fretboard, the easier to obtain a consistently low action to shred, but some people prefer more curved radiuses for rhythm stuff since the hand rests a bit more naturally during chords etc.
Some companies like Jackson/Charvel offer compound radius which is a "dynamic" radius that starts rounder and ends flatter.
I personally feel very at home with both your examples, if I had to choose I'd go with 20".
Perfect radius (apart from compound) is imho 17" like the JP13 or most 90s Ibbies.

Do you have any experience assembling a parts-caster?

I haven't but it shouldn't be that difficult I guess

What your opinion on ibanez Jems?

I love Jems, expecially the 90s ones of course, particularily shocking pink and floral. DNA is cool too!

What are the procedures of ordering a custom guitar? Do you just email the builder all your specs first and see if they approve?

it depends on each custom shop, but it always starts with an email regarding your interest in their instruments :)

your opinion about the sentinient / nazgul pickups? Why you're interested on them? Cheers!

Duncan asked to do video reviews on a strat set and 8 string pickups, I thought Nazgul and Sentient were a pretty good choice for my BRJ 8 so I chose them! As soon as I install them I'll let you know how they are but I'm confident they're pretty titsy.
Liked by: john

Do u know if Ernie Ball takes custom orders?

No they don't but they do slightly different stuff like woods or finishes for artists/endorsers.

for a Carvin 7 string, I had something in mind - alder wings - claro walnut top - maple neck - ebony fretboard - maybe SD Pegasus/Nazgul and Sentient Is this badde?

It would be a very bright guitar, but Nazgul could work well in it!

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