Wolf

Think about what both Scriniarii and Firebrand have told us previously. Firebrand says in Deathtrapexodus that he knew Noah was going to learn his listen the hard way despite what Firebrand did to try and make it easier. How'd he know? Because Firebrand didn't listen either. Scriniarii has said he's watched us make the same mistakes over and over and over. They're both hinting at Noah, and us, being stuck in a causal loop. That we're living the same thing over and over. And they're trying to find some way to break it.
We also know that The Collective are formed kind of through paradoxes. Take The Observer for example. He is a malevolent entity possessing his former self. And he even appears to be hurting himself. Observer should know the pain he went through when he was once possessed by The Observer. But he does it anyway. Like how Firebrand is a future Noah. He's inevitable and he will do something to ensure his own existence. All of this has happened already. Including us all watching and trying to help Noah. But we've failed. Every time.
Scriniarii and Firebrand need our help to try and break them out of this causal loop. But we need to be careful that we don't somehow accidentally cause something to begin with. But, without knowing future events, there's no way we can be certain we won't.

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HandUnit is male GLaDOS.
Shout out to casual bongos.
Dude! Don't fuck with the paycheck you robotic assholes.
So back to the creepy British girl. She sounds so distressed. And it's upsetting me. Because of what's coming up. November 9.
Loving the causal bongos!
Dude, if there are casual bongos in Portal 2, that will be my favorite thing ever.
I love how even when playing video games, Mat is theorizing.
Weird timelines! Yay!
Physical therapy. Recovery time. Why have we not quit this job?!
So we're guessing that the British child is possessing (and referring) to Baby. Whoa. Wait. British child. Could Afton have had a daughter? A daughter who died?
Someone Mangled the ballerina!
Let's go talk to Baby! Fight the man!
Ok. Baby has a spirit inside her. She's describing smells and stuff.
Did....did Baby just admit to killing someone?
Foxy is terrifying. Holy crap.
Dear God Funtime Freddy is scarier up close.
His right or our right? I know, right?
JUMPSCARE! Hey, you're not dead you actually did what you were supposed to do.
What the fuck! The fucking hand puppet moves?! Jesus H.
That is the world's most evil sock puppet ever. Of all time.
Ok. This is the lamest game mechanic ever. The hiding from Foxy. The jumpscares are getting boring now. Or Mat sucks.
Ok. Bonnie is even annoying me now.
Whoo! They finally succeeded! I am not watching Night 4 tonight. Tomorrow. Maybe.
Dammit Mat! Are you serious!
This little girl is going to make me cry.
Wait. What. Did Baby...well. Yep. Kidnapped us.

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That would be the most intense crawling ever.
Bellora is scary as hell. and her music is not helping. Why would (Holy hell!) anyone ever rent Bellora?
So what's up with this Baby-Atari minigame? Is there a story to be told here?
This is the most intense crawling game mechanic I've ever seen.
So how are you supposed to win this danger level circuit breaker bullshit? Where's Baby? Also that thing getting closer is getting terrifying.
Also all the little tiny voices are fucking creepy.
Funtime Freddy is disturbing the shit out of me. Also I want some pizza.
I feel like Mat is going to orgasm whenever he gets a circuit reset.
So if this were a real person, they'd be completely freaked at this point right?
That's a scary voice to whisper "Is someone there?"
Again, I seriously want to rig up that "Shift complete" music. Ok. Tomorrow, or later tonight, Night 3.

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At around 7pm B and I arrived at where the Wake (concert) was being held. Night had fallen, the air was bitterly cold, and it was raining. We found a group of about 12 or so standing by the front door. Many of them dressed in what appeared to be mourning gowns. A while later we were let in a side door that led down into the building. After a little while two people came out to scan our tickets and to mark us. I'll put a picture of the mark down below. Then out from the basement came a short redheaded woman in a mourning gown. As she asked each of us if we'd been marked she asked us to raise our middle fingers (which none of us had an issue doing) and we had to leave a 'bloody' fingerprint on our VIP badge. As they had us gather in a line, Terrence and Saar (the starts of the show) walked by us. My friend B completely fan-girled and froze up a bit. They led us down into a sparsely lit, cavernous basement. Before the show started they had us go one by one to meet Terrence and Saar and get a photo with them. We also talked to the tour manager and our redheaded mourner who asked us which songs we were looking forward to (all) and if we'd seen any of their previous works (yes, both Repo! and the two Devil's Carnival.). Real talk though, it is still surreal to me that I've met a content creator that I enjoy so much. Much less talked to him and shook his hand. And again, B froze a bit and I had to bring her back to reality. Terrence and Saar then treated the VIPs to two songs from The Devil's Carnival (Terrence: In all My Dreams I Drown, Saar: Grief [Which, while I love the version Terrence does in the film, Saar fucking killed it, also I'm surprised I handled hearing it]). They then departed to get into the characters of Mister Tender and Mister Storm. During their absence, their band (two mourning girls, blonde and redhead, and a man in a top hat) entertained us with music and played up the fact we were supposed to be at a wake. Including referring to all of us as vultures and only wanting to see if we got a cut of the dead guy's money as we didn't seem sad in the slightest. At this point there were about 30 or so of us standing together around the set they had. During one of the band's sadder sounding songs, from behind us we hear clapping and hear come Tender and Storm singing Yankee-Doodle Dandy. They had one goal, to crash the wake. And of course sing for us. And between each song they would talk with us, and joke, crack up at shit we said, crack up at shit they did. Tender even gave sympathies for the fact B and I live in Ohio
The music was fantastic, the guys were amazing and fun, it was just a really fun experience. One I can't thank Terrence and Saar and their crew enough for, but especially one I cannot thank my friend B enough for. It shall be something I never forget.

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Let me clarify; the only thing I heard from Splatoon is that it wasn't worth whatever they were selling it for. I don't know what Nintendo games sell for, but like for brand new Xbox One games, it's $60. So to qualify as being worth your money, it'd have to be worth a dollar an hour. So at least 60 hours. Not saying the game has to be that long, but you should at least put that much time into it for it to be worth it. Personal opinion.
But hey, if Splatoon seems like your kind of game, absolutely (when affordable) go for it. Don't let me influence you. I'm just some asshole from the winter wasteland of Ohio.
I'm still surprised Skyrim is on the (forgive me I can't call it Switch) NX (I like that name better). Hopefully the system works, and hopefully the games are good.
I may be an Xbox and PlayStation guy, but I always want to see other companies succeed. So long as they aren't shitty of course (No-nami).

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